Sunday, March 9, 2008

Outline Drawing Using Grids to Better Visualizing

863334988_09d91d0f83_m Whether you are a watercolorist creating portraits, pet portraits, landscapes and seascapes you need to start with a drawing. What a great way to utilize visualization while drawing is to use a grid. How hard is it to see all the detail lines, the small shadows and curves that make up a drawing. Famous masters like, Albrect Durer, Leonardo DaVinci and Michelangelo used grids to help them capture accurate details in their drawings.

When drawing you need to concentrate on the lines not the whole of the picture you are drawing. You can do this with anything that you would like to draw, maybe a picture in a magazine or an old photo you have and with digital cameras you could take any photo and turn it into an outline drawing. Let’s use your hand as an example of a drawing you would like to do. Take a photo of your hand, now you want to do a black and white rendering of that photo. Are you looking at the photo of your hand wondering were to begin. Now comes the easy part. Let’s draw it using a grid.

A grid can be of any size, or run in any direction, as long as it is made up of equal size spaces. When drawing a grid the best way is to have the grid made up of squares not rectangles. Take the photo and draw a grid over the top of the image of your hand, make sure that the squares are of equal size. Now on your drawing paper, draw another grid using the same number of grid squares that you have drawn over you photo of our hand. Make sure that you lightly draw the grid lines, allowing you to erase the lines when you have completed the drawing. The grid squares can be larger to create a larger scale of our hand or the squares can smaller then the original grid you drew over your photo. You must make sure the squares are equal in size.

As you start to recreate the photo by drawing it you need to focus on one square at a time. Reproducing the lines in the square you are working on. Make sure that the proportions, the lines, markings and the positioning of the lines and markings are the same as the grid on the photo. Focusing on only one square at a time you can define the details in your subject that you may have noticed with out the benefit of using a grid. The grid is allowing you to break down the subject into more visual and smaller portions, allowing you to capture a more accurate drawing then if you were free handing the drawing. If you have an area that is more detailed, you can subdivide the squares into several smaller reference lines, squares and/or triangles to allow you to see, visualize and draw the detailed area.

When you are sketching in each square of the subject, you need to draw lightly, so you can make corrections easily. When you have completed your sketch of the photo of your hand or another subject and you have it looking very realistic with details, shadows and definitions, you can go back over the correct lines to darken the subject.

Using a grid helps you train your eye to see what is really there.

Let’s review the use of the grid technique: · It is simple and you will capture more detail when drawing complex subjects · Grid can be of any size, run in any direction, but needs to be made up of equal size spaces and squares are usually the best to work with · Use the same number of grid squares on our drawing paper as you have drawn over you subject · Only draw one square at a time · You can start our drawing by using any square · Lightly draw so you can make corrections easily · For detailed areas, subdivide one square into several smaller squares and/or triangles as grid reference lines

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Wednesday, March 5, 2008

How to Draw Perfect Eyes

1550228853_956532dd86_m Drawing eyes, can be the hardest part for an artist, when trying to capture the realism of the face. Whether it is a pet, a wild animal, a bird, or a human, its all in the eyes.

The eyes are called the "window to the soul" by many people, and when you are able to catch an emotion on paper, then you have succeeded in bringing your piece to life.

You have to break the eye down into little pieces and then work on them one by one and build it up in layers, starting with a rough background and then building up the layers.

This can be hard to achieve from books, or pattern instructions, actually some artists will do detailed paint by number kits, to get some ideas of building and drawing the perfect eye. As many paint by number kits are done from photographs.

Another way, is to watch someone else draw or paint the perfect eye. You learn from them, and then practice, and you will then begin to form your own ways of drawing and painting, just like you have with the rest of your piece.

This is a great idea, if you have the time and money to take lessons, and one on one lessons like that, can cost you quite a bit of money, if you go to a talented artist.

If like me, you will tend to paint landscapes, or distant people or crowds, to avoid having to do a close-up of a detailed face, but once you get it figured out, and practice you will love drawing eyes.

Another way, is to watch a video, this is a great idea, because you can watch it over and over and learn the tricks of drawing the perfect eyes.... learn to draw eyes video article and website by Diane Palmer who has over 15 years in the crafts business.

Nude painting revives debate about regulating art

1393690950_2f92ae1e59_m ESCONDIDO - Complaints about a nude painting displayed outdoors last Sunday on Second Avenue have revived the debate whether the city of Escondido should regulate where galleries place such art.

Critics say the city should prohibit nude paintings on sidewalks or in display windows, because that forces people, especially children, to look at them. Supporters say nude paintings are not pornography and that the city must honor the First Amendment rights of artists.

Residents, artists and city leaders engaged in a spirited debate about the issue two years ago when complaints prompted Distinction Art Gallery on Grand Avenue to remove Robert Ferguson's painting of a male nude. An outpouring of support prompted the gallery to return the painting to the same display window a few days later.

The latest controversy began when Ferguson, who opened his own gallery this year near Second Avenue and Orange Street, put a nude painting outside his gallery last Sunday.

Zachary Stark, a 26-year-old Escondido resident, said he saw the painting and complained to police. Stark then asked the City Council last week to pass an ordinance prohibiting nude artwork outdoors or in display windows, contending that the issue would not go away until the council resolved it.

"I want to decide as a parent what my kids see," said Stark, adding that he has two young children. "I don't want that decision made for me."

Because Stark made his comments during the public communication portion of the meeting, the council was not legally allowed to discuss or act on the request. The issue could be discussed at a future meeting if requested by a member of the council.

Stark said Friday that he is pleased to see the number of art galleries increasing in Escondido, but that city leaders should remember what Escondido is all about.

"We're not downtown San Diego or Hillcrest," said Stark. "While we are growing as an art community, we are still primarily a family community."

Councilman Ed Gallo said Friday that he is reluctant to move forward with an ordinance, but he said Stark makes a great point about outdoor displays.

"Magazines with nudity have to be shielded inside stores, so if somebody wants to see this kind of painting they should have to go inside," said Gallo. "But I don't want to see us get into a situation where we're policing everything that everybody does."

City Manager Clay Phillips said the First Amendment, which protects free speech and expression, makes it difficult to deal with such issues. He also said it is difficult to create legislation based on what people find offensive, because different people find many different things offensive.

Lt. Bob Benton said the Police Department received complaints about the outdoor painting last Sunday, but he said they did not keep track of the number because it was considered "a low priority case." He said an officer visited the gallery Sunday afternoon and decided that no other action was warranted because of the First Amendment.

Ferguson said Friday that he rarely places nude paintings outside and that he has no plans to do so again. Ferguson said he might also consider removing nude paintings from his display windows.

"I know parents don't want to have to explain that to their kids," said Ferguson. "This kind of uproar will make me a little more cautious."

But Ferguson also said the complaints were overblown.

"These paintings are not lessons in anatomy," said Ferguson. "You can't even see anything unless you look closely in the shadows, but Americans are obsessed with genitalia."

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American impressionist Edward Henry Potthast

521684743_074b3c30fa_m American impressionist Edward Henry Potthast was born on June 10th, 1857 in Cincinnati, Ohio. He first showed his artistic side when he was very young and would mix his watercolors to come up with some of the most beautiful, vibrant colors. At an early age his family sent him off to design school. It was there that he met Thomas Satterwhite Noble, a portrait painter who helped Potthast develop his passion for oil painting.

When Edward turned 16 he began an apprenticeship at a lithographic firm. Lithography was the perfect job to further nurture his passion for mixing paints and inks and he continued lithography until he was 39.

In his late twenties, Edward went off to Munich to study painting. Like many artist before him, it was his time in Europe that he was able to develop his own style and establish a name for himself. When he returned to the United States in 1895, he settled down in New York and opened a studio.

By this time, Edward Potthast had become a full-time artist and no longer needed the lithography job to survive. He was living comfortably in his New York studio and was able to paint all day, everyday. Because he lived in the city, many of his subjects were picnics in Central Park and sunny beach days on Long Island.

He especially enjoyed painting children being children, for he had never married or had children of his own. He would depict them swimming in the summer surf on a New England beach or rolling down a grassy hill. Paintings like this were what brought the impressionist era to life.

When Edward Potthast died on March 9th, 1927 he had an established career as an artist and had paintings hanging in museums all over the United States.

Crizza For more information, or if you have an Edward Potthast piece of artwork you would like to sell, please visit our web site http://www.newportart.com